Goose Lane Editions

Winner, NB Book Award (Non-Fiction) When the first puck dropped in the Professional Women's Hockey League in January 2024, it had been a long time coming. Women have been playing hockey since at least 1890 and playing professionally for decades. But until 2024, even the highest-level female players had never been compensated as professionals: some paid for their own gear and worked second jobs, earning a pittance, if anything, from their chosen profession. In Breakaway, Karissa Donkin tells the story of the players' efforts to create the PWHL, long before the first full season in 2024. Following the unnamed 2024 Montreal PWHL team, with some of the best players in the sport, like Marie-Philip Poulin and Erin Ambrose, Donkin takes readers through the League's founding, the draft process, the practices, and the dramatic arc of the first season. Defying all expectations, with larger crowds and higher revenues than anticipated, this first season was a gamechanger for professional women's sports leagues.

Winner, IPPY Award Gold Medal (Regional - Canada East Non-Fiction)Leonard "Len" Keith and Joseph "Cub" Coates grew up in the rural New Brunswick village of Havelock in the early 20th century. The two were neighbours, and they clearly developed an inseparable relationship. Len was an amateur photographer and automobile enthusiast who went on to own a local garage and poolhall after serving in the First World War. Cub was the son of a farmer, also a veteran of the First World War, a butcher, contractor, and lover of horses. Their time together is catalogued by Len's photos, which show that the two shared a mutual love of the outdoors, animals, and adventure. Photographs of Len and Cub on hunting and canoe trips with arms around each other's shoulders or in bed together make clear the affection they held for each other. Their story is one of the oldest photographic records of a same-sex couple in the Maritimes.Len & Cub features Len's photos of their life and tells the story of their relationship against the background of same-sex identity and relationships in rural North America of the early 20th century. Although Len was outed and forced to leave Havelock in the 1930s, the story of Len and Cub is one of love and friendship that challenges contemporary ideas about sex and gender expression in the early 20th century.

For many years, Maud Lewis was one of Nova Scotia's best-loved folk painters. In the 1990s she was embraced by the rest of the country when the landmark exhibition of her work The Illuminated Life of Maud Lewis travelled across Canada. By the time the tour was over, half a million people had become acquainted with her delightful work. Between 1938, when she married Everett Lewis, until her death in 1970, Maud Lewis lived in a tiny one-room house near Digby, Nova Scotia. Over the years, she painted the doors inside and out, the windowpanes, the walls and cupboards, the wallpaper, the little staircase to the sleeping loft, the woodstove, the breadbox, the dustpan, almost everything her hand touched. Her house was a joy to behold, and it became a magnet for tourists as well as a focal point in her village. In 1979, after Everett Lewis died, the Maud Lewis Painted House Society worked diligently to raise funds to acquire, preserve, and display the house as part of the cultural heritage of the area as well as a memorial to their beloved artist. In 1984, the house and its contents were purchased by the Province of Nova Scotia for the Art Gallery of Nova Scotia. In The Painted House of Maud Lewis, Laurie Hamilton, the conservator at the Art Gallery of Nova Scotia, shows how all the different parts of the house - the building itself, the painted household items, even the wallpaper - were catalogued, conserved, and prepared for exhibition. The preliminary stages of conservation treatment began in 1996 in a most unusual location: the Sunnyside Mall in Bedford, just outside Halifax, where conservators worked in full view of the public. The conservators used established techniques and invented new ones to complete their unique project and documented every stage of the restoration photographically. The book also features more than sixty-five colour photos including several taken by noted photographer Bob Brooks in 1965 for the Star Weekly. Today, anyone can visit the tiny house that has become a folk art phenomenon. The restoration story spans two decades, but the story of the Painted House continues as each new visitor to the Art Gallery of Nova Scotia finds delight and inspiration in Maud Lewis's joyous vision.

Finalist, Amazon Canada First Novel Award"What if the most terrifying thing has already happened?" Drawn by a mysterious force, 12-year-old Joel and his terrible parents have just arrived in yet another nondescript small town. There's a diner, a movie theatre, a motel, and a bar. But this time, things seem different, especially when suddenly, out of nowhere, a giant cube appears on the edge of town. And . . . just as Joel starts to make friends and navigate a new school, which is hard enough, Beauséjour is beset by nightly appearances of zombies, demon landlords, therapy-seeking vampires, and depressed clowns. One by one, the citizens of Beauséjour begin to disappear. When his parents vanish, Joel and his friend Charlie seek to shelter themselves from the strangeness all around them. A hilarious and sinister reflection on growing up in a world where monsters are real, Nowhere is a dreamlike meditation on adolescence and the absurdity of small-town life. Illustrated with Claytor's expressive, richly textured visuals, wildly echoing the offbeat world of Beauséjour, Nowhere signals the arrival of a profound and vital voice.

Au cœur du plus grand camp de réfugiés syriens, Zaatari révèle comment la cuisine devient un acte de résistance et de mémoire.

Winner, Foreword INDIES SILVER Book of the Year (Short Stories) Now, for the first time, a blistering book of short fiction from one of Canada's most loved novelists. In Skin, Catherine Bush plunges into the vortex of all that shapes us. Summoning relationships between the human and more-than-human, she explores a world where touch and intimacy are both desirable and fraught. Ranging from the realistic to the speculative, Bush's stories tackle the condition of our restless, unruly world amidst the tumult of viruses, climate change, and ecological crises. Here, she brings to life unusual and perplexing intimacies: a man falls in love with the wind; a substitute teacher's behaviour with a student brings unforeseen risks; a woman becomes fixated on offering foot washes to strangers. Bold, vital, and unmistakably of the moment, Skin gives a charged and animating voice to the question of how we face the world and how, in the process, we discover tenderness and allow ourselves to be transformed.

Finalist, Margaret Laurence Award for Fiction1971. Lilac Welsh lives an isolated life with her parents at Rough Rock on the Winnipeg River. Her father, Kal, stern and controlling, has built his wealth by designing powerful guns and ammunition. He's on the cusp of producing a .50 calibre assault rifle that can shoot down an airplane with a single bullet, when a young stranger named Gavin appears at their door, wanting to meet him before enlisting for the war in Vietnam. Gavin's arrival sparks an emotional explosion in Lilac's home and inspires her to begin her own life as a journalist, reporting on the war that's making her family rich.The Gunsmith's Daughter is both a coming-of-age story and an allegorical novel about Canada-US relations. Psychologically and politically astute, and gorgeously written, Margaret Sweatman's portrait of a brilliant gunsmith and his eighteen-year-old daughter tells an engrossing story of ruthless ambition, and one young woman's journey toward independence.

Longlisted, 2018 International DUBLIN Literary Award Long-shortlisted, 2017 ReLit Awards1593. Queen Elizabeth reigns from the throne while two rival spymasters - Sir Robert Cecil and the Earl of Essex - plot from the shadows. Their goal? To control succession upon the aged queen's death. The man on which their schemes depend? Christopher Marlowe, a cobbler's son from Canterbury who has defied expectations and become an accomplished poet and playwright. Now that the plague has closed theatres, Marlowe must resume the work for which he was originally recruited: intelligence and espionage.Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, Marlowe comes to question his allegiances and nearly everything he once believed. As tensions mount, he is tossed into an impossible bind. He must choose between paths that lead either to wretched guilt and miserable death or to love and honour.An historical novel with a contemporary edge, This Marlowe measures the weight of the body politic, the torment of the flesh, and the state of the soul.

Winner, Canadian Authors Award for Canadian History Winner, Jeanne Clarke Memorial Local History Award Winner, Prince Edward Island Book Award for Non-FictionIs it possible to reach back in time and solve an unsolved murder, more than 170 years after it was committed?Just after midnight on April 21, 1842, John McLoughlin, Jr. - the chief trader for the Hudson's Bay Company at Fort Stikine, in the northwest corner of the territory that would later become British Columbia - was shot to death by his own men. They claimed it was an act of self-defence, their only means of stopping the violent rampage of their drunk and abusive leader. Sir George Simpson, the HBC's Overseas Governor, took the men of Stikine at their word, and the Company closed the book on the matter. The case never saw the inside of a courtroom, and no one was ever charged or punished for the crime. To this day, the killing remains the Honourable Company's dirtiest unaired laundry and one of the darkest pages in the annals of our nation's history. Now, exhaustive archival research and modern forensic science - including ballistics, virtual autopsy, and crime scene reconstruction - unlock the mystery of what really happened the night McLoughlin died.Using her formidable talents as a writer, researcher, and forensic scientist, Debra Komar weaves a tale that could almost be fiction, with larger-than-life characters and dramatic tension. In telling the story of John McLoughlin, Jr., Komar also tells the story of Canada's north and its connection to the Hudson's Bay Company.

Canadian journalist and political insider Dalton Camp left behind a powerful legacy, including books, essays, and newspaper columns on Canadian politics and public policy. To both celebrate his career and continue his passionate efforts to encourage and support the practice of journalism, St. Thomas University has held the annual Dalton Camp Lecture in Journalism since 2002. In cooperation with CBC Radio's Ideas, the series has become an annual highlight for listeners across the country. Now, for the first time, the Dalton Camp Lectures have been gathered together in one remarkable compilation. Commencing with the foundational address "The Best Game in Town" by journalist and social activist June Callwood, about her love affair with journalism, and ending with the 2013 lecture "The Next Big Thing Has Finally Arrived" by New York Times business, media, and culture writer David Carr, the contributors collectively forecast the future of news and the public discussion of ideas in a vastly changing world. Featuring contributions by Callwood and Carr as well as Nahlah Ayed, Sue Gardner, Chantal H#&233;bert, Naomi Klein, Roy MacGregor, Stephanie Nolen, Neil Reynolds, Joe Schlesinger, and Ken Whyte, The Next Big Thing addresses the contemporary practice of journalism like no other book.

Tracking Dr. Lonecloud: Showman to Legend Keeper, by Ruth Whitehead, Nova Scotia Museum ethnologist, is a book that includes the memoir of Jerry Lonecloud, a Mi'kmaw hunter, healer, and showman. Co-published by Goose Lane Editions and the Nova Scotia Museum, the book offers to readers, for the first time, the earliest known Mi'kmaw memoir. Jerry Lonecloud was born Germain Laksi, on 4 July 1852 in Belfast, Maine, to Mi'kmaw parents from Nova Scotia. As a youth, he lived in Vermont. Orphaned at the age of fourteen, he set out on a two-year adventure to bring his two brothers and one sister back to Nova Scotia. Trained in the use of herbal medicine by his parents, Laski fell easily into the role of Doctor Lonecloud in the American medicine shows of the 1880s, including Healey and Bigelow's Kickapoo Indian Medicine Company, Buffalo Bill's Wild West Show, and his own company, the Kiowa Medicine Show, for which he made the medicines. During the rest of his remarkable life, he sold tonics in South America, prospected for gold, and guided sportsmen into the woods of Maritime Canada as they searched for moose and caribou. Hunter, healer, and showman, Lonecloud valued, studied, preserved, and passed on many of the traditional ways, stories, and natural medicines of his people. "During Doctor Lonecloud's travels, he gained a great amount of personal knowledge of different cultures, and in return he shared his vast knowledge of the Mi'kmaw people," notes Donald Julien, executive Director of the Confederacy of Mainland Mi'kmaq, in the book's preface. A researcher himself, Julien has found Lonecloud's name on hundreds of government documents in the provincial and national archives. "The story of his many trips from childhood, to when he left this world to join our ancestors, is very intriguing," said Julien. After Lonecloud met Harry Piers, curator of the Provincial Museum of Nova Scotia, in 1910, the two developed a friendship that continued until Lonecloud's death in 1930. Lonecloud's great knowledge of natural and social history is reflected in the specimens and artifacts he brought to the museum, and in Piers's meticulous notes on the information Lonecloud provided about the items. Near the end of his life, Lonecloud told journalist Clara Dennis his own story and a wealth of Mi'kmaw tales, oral histories, jokes and social customs, many previously undocumented. Unpublished until now, this treasure of information, recorded between 1923 and 1929, forms the basis of this book.

Few Canadians realize how close the colony of Nova Scotia came to joining the American Revolutionary War in 1775. Many Nova Scotians were immigrants from New England, including the Planters who, some twenty years earlier, had taken over the farms of the expelled Acadians. Between family ties and unrestrained privateering, there was much sympathy in Nova Scotia for the American Patriots. In Hope Restored, Robert Dallison tells the story of how the British raised two regiments and sent their members to the area that, as a result, became New Brunswick, thus overcoming the groundswell and fending off Patriot attacks. These soldiers had two jobs: to fight the Americans, and to settle the land as a bulwark against invasion. Spem reduxit (hope restored) became their motto and the motto of the province they founded. As well as telling the story of the Loyalist regiments, Hope Restored describes many Loyalist and Revolutionary War sites, some of which can be visited today. Among them are the Loyalist Encampment and Cemetery in Fredericton, Saint John's Fort Howe, and the MacDonald Farm Provincial Historic Park in Northumberland County. Hope Restored is the second book in the New Brunswick Military Heritage Series published by Goose Lane Editions in collaboration with the New Brunswick Military Heritage Project. Written by historians and military personnel, the books in this series will explore subjects ranging from New Brunswick's pivotal role in the American Revolution to one veteran's account of caring for World War I cavalry horses. All of the volumes will be fully illustrated with modern and archival maps, photos, and works of art and are available at all bookstores in New Brunswick.

Saint John became a gateway to what is now Canada in the early 1600s, and Fort La Tour, built in 1632, was one of the three main forts of Acadie. In Saint John Fortifications, Roger Sarty and Doug Knight trace the history of the port's defences, from the earliest log palisades to the bunkers, gun emplacements, and communications stations built during World War II. Put to the test during the American Revolutionary War, Saint John has figured as one of Canada's most significant guardians. American independence effectively closed the shipping route between the mouth of the Richelieu River, on the St. Lawrence, and the mouth of the Hudson River, at New York City. Saint John took over some of this traffic, and so the 19th century wars and threatened wars between Canada and the United States resulted in bigger and better fortifications for the city. Each new defence system has incorporated the old, including the installations built as protection from German invasion during the two World Wars. Although the last of the modern installations on Partridge Island was disabled in 1956, many sites still contain substantial reminders of their past strength. Visitors today can trace the evidence of this great commercial port's military past. Saint John Fortification, 1630-1956 is the first book in the New Brunswick Military Heritage Series published by Goose Lane Editions in collaboration with the New Brunswick Military Heritage Project.

Un road-trip littéraire à travers l’Amérique rurale, où Bill Gaston et ses fils partent sur les traces de leurs ancêtres abolitionnistes. Entre humour et tendresse, une quête familiale qui interroge l’identité et les contradictions américaines.

Our Land: The Maritimes examines the historical and legal background to Indigenous land claims in New Brunswick, Prince Edward Island, and Nova Scotia, tracing the patterns of land dealings that resulted in the setting up of reserves, the creation of Status and Non-Status Indians, and a government policy of assimilation.A groundbreaking work published in 1980 by the Aboriginal Rights and Land Claims Commission of the Métis and Non-Status Indians, Our Land: The Maritimes was critical in challenging the political consensus that Indigenous land claims in the Maritimes had been "superseded by law." This foundational book, now reissued with a new preface by co-editor G.P. Gould, draws upon historical documents including proclamations, treaties, and laws. Chronicling the large-scale land loss and assimilation as a result of the creation of the Indian Act, Our Land: The Maritimes delves into records from the 17th and 18th centuries to find evidence of early acknowledgment of Aboriginal Title and provides a legal analysis of why it still exists today.

Maria was eight months old in 1942 when a childless couple found her, wrapped in a blanket, at the side of a road near Krosno, Poland. A note pinned to the blanket stated only her first name and her date of birth. The couple picked up Maria and raised her, but she grew up longing for identity and connection. Who was she, and what had happened to her family? Years later, Maria's story came to the attention of Stanley Diamond. Diamond was the founder of Jewish Records Indexing-Poland, one of the largest databases of Jewish vital records and a crucial tool in researching the stories of the victims and survivors of the Holocaust. In this engrossing story, Amy Fish shows how Diamond and an intrepid band of international volunteers compared photographs with genealogical records and smuggled DNA tests to provide Maria with family ties that she thought were lost to her forever. A tale of unexpected coincidences, astonishing revelations, and more than a little luck, One in Six Million is an amazing story of lost - and found - identity.

Winner, NB Book Award (Non-Fiction) The remarkable life and legacy of an extraordinary man whose influence echoes through time. Tappan Adney travelled from New York to New Brunswick for a summer holiday at the age of 19 in 1887, and it changed the course of his life. Adney is best known for a singular achievement. He was the artist, writer, and illustrator whose chance encounter with Peter Jo, a Wlastkwi Eldercraftsman, led to a passionate, lifelong interest in the birchbark canoe and Wlastkwey culture. But that is only part of the story. Throughout his life, little escaped Adney's curiosity. From his extensive documentation of the design of Indigenous canoes to his reportage on the Klondike Gold Rush; from his work as an illustrator, photographer, and designer to his natural history journalism; from his activism for Indigenous rights to his documentation of the Wlastkwey language, Adney's mind roamed from one passion to another, leaving behind a treasure trove of natural history and ethnographic research. This book tells the intriguing story of his remarkable life and his multifaceted legacy.

Winner, Melva J. Dwyer Award Honourable Mention, Canadian Museums Association Award for Outstanding Achievement (Research)Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic - from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman's headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social wellbeing, and cultural identity.

Winner, AIGA 50 Books | 50 Covers Second Prize Winner, Alcuin Society Book Design Awards (Prose Illustrated) A National Bestseller The legacies of theaters, hotels, fire stations, flour mills, and more - torn down, burned down, and otherwise lost - are uncovered in this bittersweet collection. Using archival photographs, blueprints, and written reports, Raymond Biesinger has rendered a selection of Canada's most iconic lost buildings in his signature minimalist style. Accompanying Biesinger's illustrations are Alex Bozikovic's descriptions which capture each building's historical, cultural, and architectural significance. Bozikovic draws on local histories, archived building permits and his own extensive knowledge of the Canadian urban architectural landscape and its history - from the letters passed through Kelowna's unlikely art deco post office to the destruction of a home in Halifax's Africville - to offer fascinating, sometimes forgotten stories about each building and its significance. An impossible architectural walking tour, 305 Lost Buildings of Canada spans the country, its cities and countryside, and its history. Cities change, buildings come and go, but in this fact-filed compendium, you'll find the lost wonders of Canada's architecture.

Shortlisted, Democracy 250 Atlantic Book Award for Historical WritingOn a frigid February evening in 1805, Amos Babcock brutally murdered Mercy Hall. Believing that he was being instructed by God, Babcock stabbed and disembowelled his own sister, before dumping her lifeless body in a rural New Brunswick snowbank. The Ballad of Jacob Peck is the tragic and fascinating story of how isolation, duplicity, and religious mania turned impoverished, hard-working people violent, leading to a murder and an execution. Babcock was hanged for the murder of his sister, but in her meticulously researched book, Debra Komar shows that itinerant preacher Jacob Peck should have swung right beside him. The mystery lies not in the whodunit, but rather in a lingering question: should Jacob Peck, whose incendiary sermons directly contributed to the killing, have been charged with the murder of Mercy Hall? In this epic saga, media accounts of what happened in the aftermath of the murder have taken on a life all their own, one built of half-truths, conjecture, and narrative devices designed to titillate, if not inform. A forensic investigation of a crime from the Canadian frontier, the tale of Jacob Peck, Amos Babcock, and Mercy Hall remains as controversial and riveting today as it was more than two hundred years ago.

An empty elevator. A missing girl. A brother's obsessive search for the truth. In southern Japan, a young woman enters an elevator in a bar building late at night. But when the doors open, she has vanished. Fifteen years later, her younger brother Kaito has risen up the ranks to police inspector, still haunted by his sister's disappearance. On a sleepy island in Okinawa, Kaito tracks down Mr. Shimada, a senior officer who once solved an impossible elevator crime decades earlier. The unlikely pair travels back to the city where Kaito's sister first disappeared - to the very elevator where it occurred. Together, they retrace her steps and uncover the truth of what happened that night. The story of a lost family, lifelong regrets, and quiet desperation, Officer Shimada and the Disappearing Girl pulses with action and leaves readers yearning for resolution.

Only two months in Toronto, a young man gets in trouble at school for being restless and disruptive. A stone-throwing duppy smashes an elderly couple's car window as they drive past a graveyard. An 80-year-old woman goes to great lengths to get the sugar needed to bake a cake for a soon-to-be-arriving visitor. Two Days in Mayaro brings together a new collection of stories that showcases the astonishing range and depth of Pamela Mordecai's writing. Set largely in the Jamaican diaspora, Mordecai's stories are alive with sound and often driven by dazzling yet subtle reimaginings of lore, ancestry, and history. Mordecai's characters cope with the universal experiences of birth and death, joy and betrayal, reckoning with both their present and past. In this multidimensional universe, Mordecai mixes Jamaican Patwa with standard English and profanity with reverence, making her characters all the more real by introducing uncanny detail at just the right moment or by turning confusion on its head to make us laugh.

Longlisted, Giller Prize"I said, `the pair of us look like some scratch `n win tickets,' and Earn said, `More like scratch `n lose.'" Knickle is a young Islander with no friends, direction, or purpose in his life. When he drives to northern New Brunswick to pick up an acquaintance's brother from a mental health hospital, the pair make a sudden decision to travel further west to try to find a life amidst the chaos of Upper Canada. In the big city of Tah-ron-ah for the first time, Knickle discovers love, hope, and profound loss. A hilarious, sensitive, and heady working-class odyssey rife with metaphorical richness and references to literature, film, and 90s music, Your Breath in Charcoal peers into the mind of its irrepressible and relentlessly quotable East Coast everyman. A follow-up to Some Hellish, Herring's breathtaking Atwood Gibson Writers' Trust Fiction Prize-winning debut novel, Your Breath in Charcoal marks yet another galvanizing entry into the East Coast literary canon.

The head of tide of the Wlastkw, known as Ekwpahak in Wlastkwey, has long been a gathering place for the Wlastkokewiyik and was reserved for them by colonial authorities in the mid-18th century. However, when 11,000 Loyalists invaded unceded Wlastkwey territory after the American Revolution, and the influential Judge Isaac Allen purchased Ekwpahak in a highly questionable dealing, the Wlastkokewiyik were deprived of their land, with some forced to settle a few miles upriver at Kingsclear. In this long-awaited volume, Andrea Bear Nicholas assembles Oral Traditions, archival documents, paintings, maps, and photographs to document the history of the Kingsclear First Nation community, from its establishment in the late-18th century to the disastrous mid-20th century attempt to centralize the Wlastkwey Nation at Kingsclear. These documents demonstrate the destructive impact of colonialism upon the Wlastkokewiyik, from their dispossession by Loyalists and the establishment of the Sussex Vale Indian School in the late 18th century, to the increasing restrictions on traditional life that both impoverished and oppressed them.

A catastrophe on a mountain in Transylvania sends toxic cyanide hurtling through rivers and streams, destroying an ecosystem and killing hundreds. As the impact of the mining breach stretches beyond the country's borders, it ensnares Farrar and Clio, a couple living on another continent, who begin to understand that their business interests are intertwined with enterprises more sinister than they'd realized. Fearing the wrath of Peter Zugravi, a criminal with international reach, Farrar sends Clio and their daughter Sydney to a remote island where he hopes Zugravi will never find them. It's here that Clio finally unlocks the family secrets and the mysterious origins of her family's wealth. With characteristically razor-sharp prose, Margaret Sweatman mines the dark caverns of global capitalism in this new addition to the resource "noir" canon. Intense, visceral, and agile, Night Birds is an all-absorbing thriller, whose morally complex characters are called upon to reckon with the power than runs beneath their feet and the consequences of their own complicity.

For A Taste of Acadie, Melvin Gallant and Marielle Cormier-Boudreau travelled all over Acadia, from the Gaspé Peninsula to Cape Breton, from the tip of Prince Edward Island to the Magdalen Islands, and around northern New Brunswick and southern Nova Scotia. They gathered the culinary secrets of traditional Acadian cooks while there was still time, and then they adapted more than 150 recipes for today's kitchens. First published in 1991, A Taste of Acadie, the popular English translation of the best-selling Cuisine traditionalle en Acadie, is available once again. The indigenous cuisine of Acadia is a distant relative of French home cooking, born of necessity and created from what was naturally available. Roast porcupine or seal-fat cookies may not be to every modern diner's taste, but the few recipes of this nature in A Taste of Acadie hint at the ingenuity of women who fed their families with what the land provided. Most of the recipes, however, use ingredients beloved of today's cooks. Here you'll find fricot, a wonder of the Acadian imagination, pot en pot, a traditional Sunday dinner sometimes called grosse soupe, and dozens of meat pies. For those with a sweet tooth, Gallant and Cormier-Boudreau include recipes that use maple syrup and fresh wild berries. A Taste of Acadie is traditional cooking at its best, suffusing contemporary kitchens with country aromas and down-home flavours. Decorated with evocative woodcuts by Michiel Oudemans, it is a pleasure to look at and a charming addition in its own right to contemporary country-style kitchens.

In this House Are Many Women was originally released in 1993 when Sheree Fitch was beginning to make her name as a children's author. The raw, heartfelt collection showed a different aspect of Fitch's writing, in which she explored the realities of women's lives and the many kinds of shelter that women both create for themselves and give each other. A second edition, issued in 2004, also included new poems characterized by strength, empathy, and a depth that exponentially expands with each reading. This edition is now available once again, remaining as relevant today as ever. As passionate about resilience as she is about suffering, Fitch carries her famous sense of humour even into life's dark corners. From victims and workers in a woman's shelter to good men and jaded lovers, Fitch questions the juicy mess and inherent contradictions of being human. Here, the women that Fitch creates gain strength by sharing their truth, their anguish, and their joy.

The premise is deceptively simple: a dirt-poor charwoman and former prostitute leans on her mop and tells her life story. But what a story! As she reminisces and rants, telling stories about herself, her friends and neighbours, the priest and his church, and every other aspect of life in her village, she is actually telling the story of Acadie. More than 30 years after its first publication in English, and five years since Wayne Grady completed this new translation, La Sagouine is available in this new, updated edition. Faithfully interpreting Antonine Maillet's distinctive text, Wayne Grady brings out the cultural richness of the language as well as La Sagouine's strength of character and irrepressible humour. La Sagouine launched the careers of both Antonine Maillet and the actress Viola Léger. With sales of over 100,000 copies, it brought the existence of Acadian literature to a wide and admiring audience.

In this powerful reframing of the stories that make us, Anishinaabe writer Patty Krawec leads us into the borderlands to ask: What worlds do books written by marginalized people describe and invite us to inhabit? Patty Krawec doesn't want to be a "Good Indian." When a friend asked what books could help them understand Indigenous lives, Patty Krawec gave them a list. This list then exploded into a book club, then into a podcast about a year of Indigenous reading, and then, ultimately, into this book. Drawing on conversations with readers and authors, Bad Indians Book Club delves into writing about history, science, and gender, and into memoirs and fiction, all by "Bad Indians" and those like them, whose refusal of the dominant narrative of the wemitigoozhiwag (European settlers) opens up new possibilities for identity and existence. Introducing each chapter with flash fiction about a shapeshifting Deer Woman, who is on her own journey to decide who she is, Krawec leads us into a place of wisdom and medicine where stories of and by marginalized writers help us imagine a thousand worlds waiting to be born.

Longlisted, Canada ReadsBorn on the lush island nation of Mahana, Fred lives under the tyrannical rule of a book-burning king. Under the king's rule, Mahanians are controlled by a military dictatorship and threatened with forced starvation, while people with disabilities are exiled. After Fred's father suddenly disappears, Fred joins an underground movement of dissenters and becomes an unwitting global icon in the fight for Mahanian freedom. When he is recruited and relocated by an organization that appears sympathetic to Fred's cause, he arrives in a seemingly peaceful foreign nation, where the impact of social media and technology creates a new, stranger struggle. A dystopian thriller, a speculative fiction, and a coming-of-age story, Wong's novel thrums with biting bursts of staccato-like prose - a fitting accompaniment to a fascinating exploration of contrasting political systems. As Fred unpeels layers of truth and sees beyond the optics of altruism and the illusion of choice, Slice the Water unpacks the myriad amplifying impacts of technology, addiction, and complacency.

In this brilliant existential portrayal of identity, David Bergen introduces Esther Maile, an expat American living in Thailand in a house rented by the richer, more popular Christine. While on holiday in Bali, Christine is caught by an ocean wave and drowns. Esther rushes to save her, but in the chaos that ensues, the police arrive and confuse Esther for Christine. For someone who would prefer to be anyone but herself, this is the perfect solution - no matter the consequences. When a local Thai police captain, Net Wantok, begins to investigate Christine's death and seeks out Esther, he is caught between his curiosity - she is charming, evasive, and flirtatious - and the awareness that people around Esther are disappearing. Sensing danger, Esther acts out of fear and pulls the one person who loves her into her perilous world. Bergen's mesmerizing psychological drama hums with expatriate gossip, sexual tension, unexpected violence, a passion for food, and a woman who, seemingly unhindered by questions of truth or morality, hints at the darkness in all of us.

At the height of his career, J.E.H. MacDonald's paintings and oil sketches reveal a mastery of colour mixing, a sureness of brushstroke, and a deep understanding of compositional design. His striking landscapes and views of nature are an important artistic legacy and confirm his essential place among the Group of Seven painters. J.E.H. MacDonald Up Close provides a fresh interpretation of MacDonald's artistic development and sheds new light on questions of authenticity and dating surrounding MacDonald's paintings. Here art conservation experts Kate Helwig and Alison Douglas combine rigorous scientific analysis with a close visual examination of MacDonald's work to focus on his materials and techniques. Exploring the interface between art history and science, Helwig and Douglas use excerpts from MacDonald's diaries, letters, and lectures to provide socio-historical context to their in-depth reading of the paintings as physical objects.Helwig and Douglas's fascinating text is accompanied not only by reproductions of key artworks, but also by never-before-seen photographs taken through a microscope. These unique, close-up views of MacDonald's working methods reveal the texture of his brushstrokes and the characteristic ways he layered and mixed his paint.