University of Calgary Press

Chaim Frydman survived the Holocaust. He was the only Frydman who did. In Sole Survivor, architect and academic Avi Friedman travels to Europe to trace his father's journey through the Holocaust and find his family's genesis. He visits the homes, factories, and synagogues in which the Frydmans made their lives and the ghettos and camps in which they were imprisoned and killed. Avi finds powerful stories in interviews, archives, and the built environment itself, illustrating the ways that buildings were made to affect the events that took place in them and how the architecture of the Holocaust remains a haunting memorial to this day. Sole Survivor is the story of Chaim Frydman, who fought in the Polish army and returned to survive forced labour, death marches, and the horror of the camps. It is the story of Avram and Rachla Frydman, who raised Chaim alongside seven siblings, of their children and grandchildren, who died in the Lód´z ghetto, in the killing centre at Chelmno, in Auschwitz. It is the story of Avi Friedman, witnessing his father's testimony of from the trenches of Gniezno through Birkenau to freedom and discovering himself as the descendent of a family who survived against impossible odds. In sharing the Frydman's history, their experiences, and their testimony, Avi Friedman has created a vital resource for future generations. In sharing his journey and thoughtful exploration of the responsibilities the living bear the dead, he has created a work that will resonate for years to come.

Wikipedia is a modern-day miracle. The free encyclopedia that anyone can edit has become a monumental repository of common knowledge, a springboard for research, a source of entertainment, a site of discussion, an archive, a hobby, and a digital representation of information forever in flux. In The Wiki of Babel, Kyle Flemmer subjects Wikipedia articles to chance operations and poetic constraints, building up an intriguing and bewildering bricolage from fragments of text. Drifting through data, he divines playfulness and humour in the logic of hyperlinks and the surprising juxtapositions they afford. This is poetry of the paratactic leap, a core sample taken from an ever-shifting network of oblique associations. Fancifully factual, The Wiki of Babel shows how the organization of information and the method of its navigation changes its meaning. A celebration of collaborative expertise and hypertext publications on the internet, this book takes a reverent look back at Oulipian wordplay and a bold step forward in digital poetics.

Seren was doomed to a country club cage and a leash of pearls until out of the blue on a Tuesday night in 1969, she found herself suddenly saying "no." More than fifty years later, she looks back on her life and each choice that followed, beautiful, tragic and completely her own. Leaving her family for the freedom of the 1970s, Seren began a quest to discover how to live in this world as her true self-a quest that would take her from the heady countercultural milieu of communal houses on Vancouver Island through marriage and motherhood, divorce, and an unexpected inheritance that changed everything. Suddenly wealthy, Seren must wrestle with money, with class, and what it means to have more than most. What does it mean to live truly, through tragedy and heartbreak? How do we create ourselves in a world that keeps changing? What does it mean to have money when so many people don't? A richly written, fiercely feminist novel imbued with real bravery, Beneficiary weaves the past and the present in a rich tapestry of life.

Who survives war? What does survival mean? And at what cost? Yes, the sirens and bombs have ceased. Yes, peace has settled over the rubble. But even in moments of laughter, ghosts chafe. Blood still smells in the air. The present is as fraught as the past, filled with shadows and fumes. Old wounds sting the body and the mind, rekindling nightmares and memory. In poetry by turns lyrical and intense, elegiac and intimate, We Survived Until We Could Live plumbs the contours of vulnerability, inviting readers to reflect on loss and the broken flesh. Uchechukwu Peter Umezurike skillfully uses multiple narrative voices and personas -a father, a mother, a son-to show how postwar trauma and memory warp family relationships, how violence persists long after a war has ended. Umezurike doesn't turn away from contemplating the psychic and physical scars that war leaves on people, whether on the old or young, parents or children. These are poems of taut breath, silence, and echoes. These are also poems of love and its redemptive power. Poems of the courage to continue. Tender yet enduring snapshots of kindness, grace, hope, and resilience, reminding us of our capacity to emerge from the crushing shrouds of darkness and tragedy into the light.

Recombinant Theory is a collection of literary essays that challenge how readers interact with and perceive text, context, and critical writing. Working with printed pages and scissors, Joel Katelnikoff applies literal cut-up techniques to the complete works of ten contemporary poet-theorists: Annharte, Charles Bernstein, Christian Bk, Johanna Drucker, Lyn Hejinian, Steve McCaffery, Erín Moure, Sawako Nakayasu, Lisa Robertson, and Fred Wah. He then compiles the cut-ups into new essays, each reflecting the concepts of the original text while producing new lyric and theoretical formulations. Using the techniques of constraint poetry as a path to theoretical writing, Katelnikoff creates a methodology that is uniquely true to poststructuralist thought. These recombinant essays do not attempt to present a singular transparent message and do not insist on their own authority. Instead, they function as a catalyst for critical analysis. Recombinant Theory is a vast database of material to be searched through, replete with unexpected connections and surprising combinations ready to be discovered and considered. Recombinant Theory is a daring movement away from a critical model that claims to speak on behalf of a text. It rejects the idea of critical writing as a simple transfer of information from one person to another, instead inviting collaboration and engagement. This an act of poetic theory that disrupts the expected with its radical recombination and its readers to discover their own diverse paths through the materials of the texts.

Across North and South America, Indigenous people play a dual political role, building self-governing structures in their own nations and participating in the elections of settler states. Doing Democracy Differently asks how states are responding to demands for Indigenous representation and autonomy and in what ways the ongoing project of decolonization may unsettle the practice of democracy. Based on the structured, focused comparison of four success stories across Northern Canada, Bolivia, and Ecuador, this book provides real-world examples of how Indigenous autonomy and self-determination may be successfully advanced using existing democratic mechanisms. Drawing on thorough original research to identify factors that create distinctive patterns within Indigenous-state relations, it argues that the capacity for democratic innovation lies within the realm of civil society while the possibility for uptake of such innovation is found within the state and its willingness to work with Indigenous and popular actors. Operating at the intersection of Indigenous and Comparative Politics, Doing Democracy Differently takes seriously the role of institutions and the land on which they are built in the creation of democratic transformations in the Americas. This book advances Indigenous rights to autonomy and self-government and speaks to some of the thorniest issues in democratic governance.

When the Calgary Petroleum Products's Dingman No. 1 Well began operation in Turner Valley on May 14, 1914, it unleashed a spectacular frenzy of greed and excess. In a fever of free-market capitalism over 500 oil companies were created, selling fortunes on paper to eager investors. But fewer than fifty ever drilled for oil, and the Alberta oil industry suddenly began to look like one big swindle. The public, and investors, demanded answers. Enter George Edward Buck, a charismatic revival preacher and self-proclaimed oil tycoon who made himself and his company the centre of every conversation while he salted his wells and misled investors. Far from the only person to profit from the sensational publicity of the Turner Valley Boom, Buck became the public face of all unscrupulous businessmen and an international scapegoat to preserve the integrity of Alberta oil. The Boom is a history of the Turner Valley era that rescues the miscreants and charlatans from obscurity. Industry historian Paul Chastko returns the larger-than-life promoters, wildcatters and oil evangelists to the story. He shows the ways that Albertans, determined to overcome the obstacles of economics, geography, geology, and the market, made a conscious choice to pursue petroleum development and created an oil culture that continues to this day.

Fantastically rooted in the local and in the family, the book of sentences captures small, quiet, and intimate domestic moments with snippets of grammar lightly held to themselves by lineation and punctuation. These poems move quickly, processing the wonder of the everyday with careful observation, speculation, memory, citation, and play. Radically and everywhere metalingual, the book of sentences builds on mclennan's previous meditation on domestic joys, the book of smaller and the work of other poets while naming its own writing in the vocabulary of linguistics. It proceeds in a family tuned series of adjustments, amendings, resistances, and acceptances, reflecting on parenthood, childhood, family far and near, the past, the present, and the future. With finesse of phrase and rhythm, patience and savouring of the moment, and care for nuance and association, rob meclennan shares work that is meditative, witty, humorous, and tender. Conjuring a special sense of immediacy, the book of sentences affirms the wonder and pleasure of everyday life.

Memory is stored in the body. Memory sprouts in families and is transmitted from one generation to the next. Memory imprints at the level of bone. In Bonememory, Anna Veprinska bares down to the marrow. An expert lyric poet writing at the intersection of memory and pain, Veprinska fearlessly traces intergenerational histories of struggle and survival. This collection confronts the indelible marks left by immigration, the Holocaust, Canadian settler-colonialism, and the Russian invasion of Ukraine. Amid these various upheavals, Veprinska finds herself within her own body, facing chronic illness and navigating disability. Bonememory is an investigation of history and memory studded with moments of insight and revelation. Written with a keen eye and close attention, these poems balance lyrical tenderness and formal experimentation, never forgetting that extending into another can be an act of care and an act of invasion.

The idea that persons or animals possess properties of two types, physical and mental, or psychological and cognitive, inevitably raises the question of how such cognitive properties can be causally efficacious, with respect to other cognitive, physiological, or physical properties, of the person herself or her environment. People, though composed exclusively of atoms like any other material object, have emergent properties that none of those components possess. Among them are cognitive properties. These properties give a person the power to cause both cognitive and physiological events and processes. The Material Mind defends a version of reductionist materialism. It modifies the conceptual framework of the debate by situating psychological and physiological properties of persons within a hierarchy of levels of reality. The Material Mind develops a concept of reduction that is compatible both with scientific change and with the possibility of multiple reduction bases. It shows that cognitive and other higher-level properties can be construed as causal powers, develops a concept of emergence compatible with reduction, and shows that the integration of the mind into a scientific conception of the world does not deprive mental properties and events of causal efficacy. The book defends the possibility of downward causation of physiological effects by cognitive causes, by questioning the justification of both the principle of the causal closure of the physical domain and the principle of causal-explanatory exclusion.

The Briscoe-MacDougall family retire to their lakeside cabin each summer. This annual vacation is at time to unwind and refresh, a time to relax away from the hustle and bustle of city life.We are Already Ghosts joins the Briscoe-MacDougalls in the summer of 1996 and returns to them at five-year intervals. William, Clare, Helen, Michael, John, Doug, Mike, Jéanne, Françoise, Celeste, Daphne, Benjamin, and Mackenzie the dog live, grow up, and grow old as the world changes in small ways and in devastating ones. The shock of 9/11 and the war in Afghanistan tear across the globe; the Great Recession steals jobs, savings, and houses; and the politics of colonial Canada come evermore into focus. Marriages are made and marriages fall apart, babies are born, lives end, careers are made and broken, the trash gets taken to the dump, the trees bud and then they lose their leaves. The cabin remains and the family returns, year after year.Impeccably written, crisp, and direct, We are Already Ghosts is a turn-of-the-millennium family epic that documents and challenges Canadian life. Author Kit Dobson writes in conversation with the literary tradition, creating a narratively complex, compelling, and smart novel that is a pleasure to read yet lingers in the mind long after the covers are closed.

At the close of the twenty-first century, a prison population awaits transport to a world where their memories will be Cleaned, and where they will be Harmonized into the language of New English, made up of only 850 words. One person, knowing of this inevitability, secretly translates poetry into this limited tongue, a gift to a self who will no longer be able to understand the literature they love. In the years beyond this time, two scholars make a remarkable discovery: a book of poems, a work of translation, and a record of a desperate experiment. This manuscript becomes a window to an impossible realm, and they work diligently to understand the storied document and its tangled history. Limited Verse is an uncanny collection of familiar poems made newly strange, wrapped in a fascinating speculative mystery. Inspired by the real-life restricted language Basic English, a project of linguist C.K. Ogden, and by the work of George Orwell, H.G. Wells, and Jorge Luis Borges, author David Martin invites you to a place where nothing - not our words, not the building blocks of worlds - is quite what it seems.

The development of equitable relationships and outcomes among Indigenous communities, resource development companies, and governments in Canada is slow and uneven. Protest and Partnership brings together expert contributors to ask what works - and what doesn't - in these relationships. It explores what processes lead to greater involvement and control in decision-making by Indigenous Peoples and the establishment of mutually beneficial partnerships. Protest and Partnership presents case studies on a range of resource development sectors including oil and gas, renewable energy, mining, and forestry, drawn from regions across Canada. It presents a fine-grained analysis of institutions and processes, demonstrating how Indigenous communities work within and outside frameworks and processes established by governments and industry. It recognizes the persistent failure of Canadian governments to honour treaty rights and provide meaningful consultation and demonstrates how Indigenous groups, communities, and governments have engaged in self-determined resource development despite these ongoing failures. Offering broad lessons in the importance of co-management and co-governance, the autonomy of Indigenous Peoples, transparency and accountability, Indigenous economic security, and meaningful collaboration and engagement, Protest and Partnership is a thorough and careful exploration of the current state of consultation and engagement on resource development with Indigenous communities in Canada.

In My Love is a Durian, Singapore and Canada twine and intertwine, the places adopted and left behind bunch and twist. Kelly Kaur leads readers through markets in Singapore and up mountainsides in Kananaskis. These poems enliven the senses, from the taste of durians eaten fresh to the chill of snow melting on the cheek, as they dance the insider-outsider dance My Love is a Durian seeks belonging without judgement, a place to rest, a place to work, and a place to grow. It shares the easy happiness of time with friends and family, the tension of coming of age, the fear and joy of making a life. These poems tangle with ideas of colour and race, freedom and acceptance. These are poems that reach out to readers to create empathy, connection. My Love is a Durian lifts up the voices that sing in the margins of the world.

Asa has spent their whole life seeing another face in the mirror, the face of their conjoint twin who died during a catastrophic attempt to separate them at age three. The lone survivor, Asa has lived their life in between. Assigned a gender for surgical convenience, Asa has at time identified as male, at other times, female. But through music, Asa finds acceptance of their true, non-binary, gender-fluid self. Asa is unashamed and unafraid, but life outside the binary is not easy. As Asa becomes a famous musician, they must face the people who find their existence a threat. Life as a lone twin is also not easy. Asa knows themself, but must always wonder what could have been. Throughout their journey, Asa experiences visions of alternate universes, some that include the survival of their conjoined twin Angelo, who Asa calls mirror boy. A stunningly original work that breaks new literary ground, At the Freak Show smashes together speculative fiction, coming of age, social justice fiction, rock biography, and literary mastery to create a timeless, human story about the search for belonging and self-acceptance.

The Multiverse is an introduction to the idea that our universe is just one of many universes. Philosophers have proposed that all logically possible universes are equally real. In physics, the many-worlds interpretation of quantum mechanics proposes that every possible outcome of a quantum event exists in its own world. Leading philosopher Jeremy Butterfield presents and assesses three versions of the idea of the multiverse, one from philosophy and two from physics. He explores the ideas of logically possible worlds, the branches of the quantum state, and the bubbles of inflationary cosmology. For each idea, he selects one philosophical question to explore in depth: what is a possible world, what is chance, and what is explanation? Written for students and newcomers, The Multiverse provides an explanation of leading theories, without requiring any prerequisites in philosophy or physics. This book will lead readers to a proper academic understanding of multiverse proposals in logic, quantum theory, and cosmology.

Thresholds, Walls, and Bridges is a collection of essays by historian Dr. Elizabeth Jameson, Imperial Oil-Lincoln McKay Chair in American Studies at the University of Calgary from 1999 to 2017. Together, these essays represent the intellectual evolution of an important and influential scholar told through engaging original research. Thresholds, Walls, and Bridges presents insightful and challenging discussions of historical questions informed by contemporary debates. Ranging from the gold camps of California to northwest Alaska, from North Dakota homesteads of the late 19th century to New Jersey cities of the 1960s, they address the boundaries that divide people and the ways that private acts in everyday lives can make meaningful change. Dr. Jameson explores the histories of borderlands, labour, women, workers, people of colour, and the connected pasts of Canada and the United States. Rejecting approaches that write most people out of history, she makes humanity visible again and again. Thresholds, Walls, and Bridges is a record of a remarkable career.

What is Broken Binds Us shares stories of loss, absence, acceptance, and hope. Returning to the page after a long absence, poet Lorne Daniel provides a unique perspective on crisis that balances raw emotion with vulnerability, thoughtfulness, and care. In seven sections, Daniel braids the stories of empire, personal traumas, addiction and family estrangement, shifting emergencies, and the wisdom of elders and the natural world. Lessons in Emergency Preparedness traces accident, injury and recovery, facing the trauma of a sudden loss of physical competence through the metaphorical and literal breaks of a shattered body and the slow movement towards mending. When the Tributaries Ran Rich unravels empire and a five-century narrative of hard-working immigrants with the discovery of enslavement in family records, forcing a deep reconsideration of the truth of the past. Episodic Tremor & Slip speaks of the tectonic shifts in family life that occur when facing substance abuse, addiction, and mental health struggles, of the pain of estrangement and the love that continues. In the Family Name is a reflection on time, on people, and on the natural world that revisits and turns over all that came before, exploring it from new angles. Lorne Daniel writes with calm, conversational assurance. These poems are accessible and evocative, speaking from their specificity to the many people who have faced injury, estrangement, struggle, and pain, and must carry it-and carry on.

From the outside, the Mohawk Institute looks like a large and welcoming school building. When one looks behind the bricks of the school, however, a much different story becomes apparent. Conceived and overseen by Six Nations community member Richard W. Hill Sr., Behind the Bricks is an important work that provides deep insight into the Mohawk Institute, Canada's first, and longest-running, residential school, operating from 1828 to 1970 in Brantford, Ontario. Many see the Mohawk Institute as a model for the residential school system. Behind the Bricks brings together Indigenous and non-Indigenous experts. The book begins with an overview that traces the history and context of the school, and the remainder of Behind the Bricks touches on a broad array of topics from the experiences of students, to archaeology and architecture, to the role of religion, and beyond, drawing on a wide variety of sources including government documents, church records, and oral history. Behind the Bricks examines the policies and motivations that shaped the experiences of all three parties involved with the school-the government, the church, and the students and their communities. A thorough and thoughtful history that provides deep insight into over a century of institutional operation, Behind the Bricks is an essential work that tells us not only about the Mohawk Institute, but the entire residential school system, providing a window into the past with the goal of working towards a future of truth and reconciliation.

The threat of nuclear conflict loomed menacingly over the world during the Cold War. Early warning of an attack was a crucial focus for military and political intelligence. Intelligence networks in Canada, the United States, and the United Kingdom came together, forming a tripartite intelligence relationship dedicated to indications that the Cold War would turn hot. The Next War is the first full account of the development of the allied indications network. Timothy Andrews Sayle dives deeply into recently declassified documents to explore this previously hidden history. He traces the decisions and choices made by intelligence organizations in Canada, the United States, and the United Kingdom to coordinate their assessments despite different, sometimes conflicting, national agendas, ideological positions, and levels of trust. From early appreciations of the possibility of war with the Soviet Union to a formal agreement and communications network designed to link the intelligence establishments of Ottawa, London, and Washington, the tripartite intelligence relationship of the allied indications network established the basis for the close cooperation that continues to this day. The Next War widens our understanding of Cold War intelligence history through exemplary scholarship and extensive foraging within the documentary record. With its descriptions of the evolution of national indications intelligence structures and the diplomacy and debates between allied capitals this book explains Canada's prominent role alongside its intelligence partners.

A sinister note sewn in the lining of a vintage jacket from a second-hand store compels a young woman to make changes in her life. A brother discovers his dying twin has been burying jars of coins in an attempt to create mystery in a neighbourhood. On his 43rd birthday, a man realizes that the critical events of his life occur in years when his age is a prime number. A woman reconfigures her stick figure on the back window of the family minivan in an act of defiance and reinvention. Rag Pickers is a collection of eighteen short stories that challenge the essential loneliness of the human condition. Blaine Newton writes with wry humour, deep observation, and an off-kilter perspective, bringing his skill as a playwright to crackling dialogue and polished prose. Well-crafted, heartbreaking, and really, really funny, this is a book for anyone who has ever felt alone.

This is the story of the King's Own Calgary Regiment. Beginning in the last years of collective innocence before the Great War, it follows the regiment to Vimy Ridge, through the short years of peace to Dieppe and the Italian Campaign, through the establishment and maintenance of militia and reserve forces, and into the Cold War. Onward is a soldier's story: mundane, heroic and tragic. This book explores not only the actions of the regiment but also the efforts of civilians to become warriors, to maintain their ties to home during the rigours of war, and the often-rocky return to civilian life. It explores peacetime, when the regiment struggled to maintain active reserves with aging equipment and minimal support. It places the King's Own Calgary Regiment within the context of Canada's army, tracing its relationships with brigade mates, supporting artillery and engineers to provide a complete and fascinating history. Regimental history does not begin with the first shot of a battle, nor does the story end when the fighting stops. Onward is a thoroughly researched and captivating chronicle of the Kings Own Calgary Regiment and its soldiers in peace and war.

This is the definitive history of the Fort McKay Métis Nation. It traces the evolution of the community from the mid-nineteenth to the early twenty-first century, paying special attention to genealogy, land-use, land-tenure, and responses to mass oil sands development. The Fort McKay Métis Nation carefully considers the community's unique historical context, drawing on a broad range of sources including archival research, oral histories, grey literature, and community literature. It examines the complex interrelations between the Fort McKay Metis Nation and their neighbors, the Fort McKay First Nation, and their ways they have connected with each other. Completed in partnership with the community, The Fort McKay Métis Nation provides perspectives which have never before been shared. It is an important, unique history of a community in the heart of the oil sands.

Every culture and society has read stories in the night sky. From the careful attention of astronomers across all times and all parts of the world to the search for alien life, the stories found in the shapes of constellations to the expansive imaginings of science fiction, there has always been life up there, at the very least, for our imaginations. Mythologies of Outer Space brings together academics and artists to explore diverse imaginings of outer space. It examines questions that, in a world where outer space is increasingly accessible, are no longer only science fiction. Is outer space terra nullius, open for settlement? What if there is life beyond earth? Will we repeat the mistakes of the colonial age on other planets? Should parts of outer space be protected, like nature reserves? What about resource extraction? Do celestial bodies, like the moon, have rights? Astronaut Robert Thirsk, Mi'kmaw astronomer Hilding Neilson, digital humanities scholar Chris Pak, and outer space archaeologist Alice Gorman, among others, are joined by artists including David Hoffos and Dianne Bos, literary scholars, art critics, scientists, and a poet to explore how humanity thinks about outer space in this joyful, curious book.

Jessica Jones made her first Marvel Comics appearance in Alias #1, November 2001, and went on to star in three ongoing series. In 2015 the Netflix adaptation Jessica Jones premiered to positive reviews. Following the scarred and superpowered titular character as she struggled to run a private detective agency and face her past, the show ran for three seasons and received a Hugo Award, a Peabody Award, and a Creative Arts Emmy. Diverging the Popular, Gender and Trauma AKA The Jessica Jones Anthology brings together a diverse group of scholars to explore the evolving depiction of the superheroine as embodied in both Jessica Jones and in the series. Contributors draw on trauma-informed study, lived experience, feminist approaches, cultural studies, and more to present multifaceted analyses. Specifically addressing survivorship, trauma, masculinities, and militarization, this book makes space for conversations that recognize the diverse, multi-layered narratives and complex, sometimes contradictory depictions presented by the show. Taking Jessica Jones as part of an evolving depiction of the superheroine, this anthology focuses not only on the content of the television series but female superheroes more broadly. It recognizes and critically discusses gendered and racialized roles and spaces, the changing expectations of fans, and the places in which media industries and fans interact. Connecting Jessica Jones to the wider Marvel Cinematic Universe, this is a thoughtful and thorough study of a ground-breaking character and boundary-pushing show.

Andy Weaver led a life of quiet contemplation before becoming a father at the age of 42. Within three years he had two sons; two small, relentless disruptions to an existence which had, for a very long time, been self-sustaining and tranquil. The Loom is a book about love. It is a book about frustration, confusion, crying, and being sticky. It is a book about doubt, unreadiness, fear, sleeplessness, and pressure. It is a book about parenthood. But mostly, it's a book about love. Andy Weaver presents a series of lyric poems which stand on their own yet weave together to create a complete whole, like childhood days. He shares the beauty of parenthood, and it's unexpected frustrations, and the surreality of an experience that is at once deeply universal and completely personal. With self-awareness and a deep vein of humour, he translates the total submission to unconditional love the parenthood demands.

Public health is diffuse, divided, and poorly understood. As a policy and practice, public health promotes and protects people and communities. As a field of academic inquiry it provides deep insights into the ways individuals and collectives can work within societies to prevent disease and promote health and health equity. Public health is a broad, intersectoral, and interdisciplinary field of scholarship, activism, policy, and practice with the potential to create and support immense change. This is a story of one hundred years of public health in Alberta. Drawing on extensive research, including interviews with members of Alberta's public health communities, A History of Public Health in Alberta, 1919-2019 considers institutions, sectors, populations, and activities that constitute the study and practice of public health. It offers a consolidated narrative from a contemporary perspective, paying particular attention to significant and entrenched social inequities of health and their determinants, the emergence of new public health concerns, and communities of public health, including activists, practitioners, scholars, and the public itself. A History of Public Health in Alberta, 1919-2019 draws together the threads of public health policy, practice, and research, mapping its contours and presenting a holistic view of public health in the province over time. Prompted by the concern, and the experience, that public health is frequently deeply misunderstood, this book articulates a history of the field and practice essential to understanding how we may best mobilize to support well-being and health equity across populations.

The Large-Scale Structure of Inductive Inference investigates the relations of inductive support on the large scale, among the totality of facts comprising a science or science in general. These relations form a massively entangled, non-hierarchical structure which is discovered by making hypotheses provisionally that are later supported by facts drawn from the entirety of the science. What results is a benignly circular, self-supporting inductive structure in which universal rules are not employed, the classical Humean problem cannot be formulated and analogous regress arguments fail. The earlier volume, The Material Theory of Induction, proposed that individual inductive inferences are warranted not by universal rules but by facts particular to each context. This book now investigates how the totality of these inductive inferences interact in a mature science. Each fact that warrants an individual inductive inference is in turn supported inductively by other facts. Numerous case studies in the history of science support, and illustrate further, those claims. This is a novel, thoroughly researched, and sustained remedy to the enduring failures of formal approaches to inductive inference.With The Large-Scale Structure of Inductive Inference, author John D. Norton presents a novel, thoroughly researched, and sustained remedy to the enduring failures of formal approaches of inductive inference.

Invisible Lives chronicles cycles of dysfunction and domestic violence. Using experimental hybrid poetry, Cristalle Smith breaks generational silence in lyric resonance, reflecting on a childhood rife with upheaval and poverty, the invisibility of single motherhood, and the silence of domestic violence. These poems sing memory across divides of time and space, breaking the patterns of absence and denial and challenging what is kept unseen. Associative leaps chronicle the daughter of a family always on the move. Family secrets thaw in spring mud. Invisible Lives delivers poetic meditations collaged with pop culture and impossibly colliding landscapes. The prairies of Alberta collapse into the sinkholes of northern Florida in a cacophony of lyric layering. Smith's fierce and electric voice breaks taboos and challenges the status quo. She sings poor and working class lives, young lives, the lives of mothers, grandmothers, and daughters, the lives of veterans, lives that have endured layers of intersecting trauma and violence. Invisible Lives is an interrogation of power and intimacy that gives a new voice to the people who survive.

Psychologists face ethical and cultural intricacies in their work on a daily basis. Psychology graduate training and continuing education programs often focus mainly on common ethical issues and mainstream psychological services and settings. Although this provides a wealth of valuable information, it also necessary to look beyond the usual and mainstream. Ethics in Action brings together thirty-four psychologists and eight collaborating professionals from allied disciplines, including nursing, social work, emergency services, and veterinary medicine, to share wisdom gained from facing ethical questions in real-world practice. These knowledgeable contributors share their experiences working with new Canadians, religious minorities, Indigenous communities, and more. They address issues of self-care, teamwork, collaboration, and interprofessional practice. They share the challenges that can arise when working within long-term care facilities, rural settings, equine-therapy settings, academia, and with people in unique circumstances. Structured around the four ethical principles that form the Canadian Code of Ethics for Psychologists, this book goes far beyond the basics, building awareness of the many complex and varied ethical issues practitioners may face. Each chapter includes reflection questions, challenging readers to better understand themselves and to prepare them to respond to complicated situations from an ethical perspective.

Rose is divorced, fifty, and estranged from her daughter. At a student art opening on a rainy March evening she meets Morrison, a genial hoarder and womb-twin survivor, who leads us to Abbey, a dancer who is losing the chance to become a mother, who leads us to Iris, a bright ten-year-old doing her best to handle her family breaking apart. When her daughter vanishes completely, Rose seeks out her old friend Mab, the cheerful keeper of little bad signs. Following her only clue, a postcard bearing just a signature and a photo of a pristine lake, Rose chases after her daughter and her past mistakes. A ghost on the shore of Maxhamish Lake may hold the key to the true mystery, one unknown even to Rose, buried deep in the heart. The Signs of No is a story of guilt and grief, of finding one's footing in middle life, and of discovery and reinvention. It traces the spiderweb cracks of invisible loss, common and uncommon, the losses that go without memorial or acknowledgment. It is a story about women, about motherhood, and the ways middle-aged women are underestimated, even by themselves.

The information age has opened a new front of adversarial statecraft. The past decades have seen the rise and refinement of conflict enacted in the world of information, with tactics including seeding disinformation, the theft of sensitive data, confusing or obscuring public opinion to forward specific goals, and beyond. Deterrence in the 21st Century asks how, and if it is indeed possible, to deter an enemy in the realm of information warfare. Setting the stage with an overview of key concepts of deterrence in the information age, the book presents new conceptual approaches and their possible applications. Bringing together some of the most respected analysts working today, Deterrence in the 21st Century looks beyond the technical aspects of the use of information and disinformation as adversarial statecraft to seek new avenues to deter the undermining of institutions and societies. Treating deterrence as a concept, a policy, a social challenge, and a series of practical solutions, Deterrence in the 21st Century presents theoretical approaches, conceptual analysis, empirical research, and content analysis. This is a thorough, thoughtful, and expert analysis of one of the most difficult and essential security challenges of our time. With contributions by: Christopher Ankersen, Yair Ansbacher, Oshri Bar-Gill, Stephen J. Cimbala, Maddie D'Agata, Molly Ellenberg, Leandre R. Fabrigar, Rachel Lea Heide, Nicole J. Jackson, Pierre Jolicoeur, Christian Leuprecht, Adam Lowther, Sarah Jane Meharg, Eric Ouellet, Ronald D. Porter, Anthony Seaboyer, Ron Schleifer, Miniqian Shen, Anne Speckhard, Keith Stewart, Joseph Szeman, and Alex Wilner