This is the fictionalized story of "Yula", a character inspired by a real girl Sharon Jennings met in her visits to the Hope Development Centre in Kenya. When four-year-old Yula is discovered by the orphanage director "Mum" and introduced to a caring home and school, her abilities develop as do her understandings of how to care for others. When a new child enters the orphanage, at first Yula is angry and jealous, but soon she warmly welcomes Mutuku just as she had been welcomed when she first arrived. Eva Campbell's evocative illustrations glow with light and colour, rendered in gouache, acrylic and ink on canvas. Sharon Jennings is a greatly appreciated return visitor to this centre in Kikima, Kenya. The children and staff enjoy her visits and consider her a member of their Hope family. The story has been shared with the children and the Centre has given Sharon permission and thanks for telling this story; a portion of the author's royalties is going to support the orphaned and impoverished Children of Hope.

As Rebecca is about to turn twelve years old, she begins to realize that Joe, her father, is not the most supportive of parents. Rather he seems to want to turn her away from friendships, from involvement with others, from anyone who might intrude on their two lives. When it seems their affectionate neighbour is becoming too inquisitive, Joe abruptly arranges for himself and Rebecca to make a quick move to another place in the city. And as she reflects on things, Rebecca realizes that this is what has always happened. Also, she doesn't attend school, but is doing what her dad calls home-schooling. When she asks him about her family — grandparents and others — turns out that they're all dead. For various reasons, as Joe explains. That means the two of them are alone in the world, making their own way. Or, perhaps, allowing Joe to make whatever moves he wishes to without consulting anyone else — least of all, his daughter. Life changes for Rebecca the day that she spots a new neighbour in their latest apartment building — someone who, though she seems a little fragile, has an aura of elegance about her and who also takes an immediate interest in the girl. As Rebecca gets to know Phoebe better, she also is able to look at Joe with different eyes — and, in the end, she realizes that her father is not at all who he has presented himself as.

I'm part of my school's writing club, which is fantastic, since what I want to be most is a writer. My mother says that girls don't grow up to be writers, they can only be nurses or teachers. But it's the 1960s, not the 50s or 40s, and I think she may be wrong. Mrs. Gowdy, who is my writing teacher, says that I have a gift. I'm going to use it to tell you the story of my summer. It was a summer that was both wonderful and terribly sad. The sad part is still painful for me to write about, but I will because that's what writers do. My summer began with the most exciting thing that ever happened on our street. A real-life orphan, by the name of Cassandra Jovanovich, moved in right across from my house. All the best stories are about orphans, and because of Cassandra, this story is no exception. Because of her, I got to write a play, and she starred in it. Because of her, I now know that being an orphan is not exciting, in fact it is the opposite. But you'll have to read my story to find out why.