Discover a new way to read classics with Quick Read. This Quick Read edition includes both the full text and a summary for each chapter. - Reading time of the complete text: about 7 hours - Reading time of the summarized text: 18 minutes "The Ball and the Cross" is a novel by G. K. Chesterton that delves into the clash between rationalism and Christianity. Serialized from 1905 to 1906 and published in 1909, the story begins with debates between Professor Lucifer and a monk named Michael. The narrative then unfolds into a duel, both figurative and somewhat literal, between a Jacobite Catholic named Evan Maclan and an atheist Socialist named James Turnbull. The novel is argued to be more sympathetic to Maclan, although it also portrays him as somewhat extreme. Similarly, Turnbull is presented in a sympathetic light, and the dueling duo develops a partnership that evolves into friendship. The real antagonist is the outside world, which tries to prevent the duel over religious beliefs. Many have drawn parallels between the novel and Chesterton's public debates over religion with his friend, George Bernard Shaw. The novel is available as an etext at G. K. Chesterton's Works on the Web and at Project Gutenberg. Dale Ahlquist has also delivered a lecture on "The Ball and the Cross" as part of the "Chesterton 101" series by the American Chesterton Society.

Les amoureux de Chesterton se réjouiront de l'édition en livre numérique de cette vie de saint Thomas d'Aquin. L'auteur propose un ouvrage original, somme toute assez loin d'une simple biographie : Chesterton est désireux de montrer comment, par l'usage de son intelligence, un homme est parvenu à une connaissance poussée de la vérité. Dans son introduction, Chesterton insiste sur l'idée que « l'histoire s'adresse surtout à des gens qui ne sont pas de même religion que saint Thomas, et qui peuvent s'intéresser à lui comme je pourrais moi-même m'intéresser à Confucius ou à Mahomet. La nécessité de le présenter à des étrangers m'oblige conséquemment à le situer par contraste à des façons de penser étrangères. » Pour Chesterton, Thomas d'Aquin est l'exemple de ce que la raison peut faire par rapport à la science ou à des croyances scientifiques erronées. L'auteur est trop content de pouvoir montrer comment, grâce à la philosophie d'Aristote, Thomas d'Aquin est parvenu à unifier le savoir et la connaissance : il n'y a pas une foi et une intelligence qui s'opposent, les deux parviennent à la connaissance de la seule vérité.

Discover a new way to read classics with Quick Read. This Quick Read edition includes both the full text and a summary for each chapter. - Reading time of the complete text: about 6 hours - Reading time of the summarized text: 22 minutes The text is a collection of various philosophical and societal observations, rather than a singular narrative with characters or a plot. The author discusses a wide range of topics, including the nature of humor, the role of democracy, the influence of the press, the importance of manners, and the ethics of vivisection. The author criticizes those who boast about their modernity in religious discussions, and highlights the importance of respecting cultural differences. He also criticizes the popular press for being unscrupulous and for trying to refine itself to be popular. The author argues against the practice of vivisection, stating that it involves the upsetting of existing fellowships and the shocking of normal good feelings for the sake of something intellectual, fanciful, and remote. The text emphasizes the importance of understanding and respecting different perspectives, and the need for ethical considerations in all aspects of life.

Discover a new way to read classics with Quick Read. This Quick Read edition includes both the full text and a summary for each chapter. - Reading time of the complete text: about 6 hours - Reading time of the summarized text: 16 minutes "Heretics" is a collection of 20 essays written by G. K. Chesterton and published in 1905. In these essays, Chesterton engages in extensive arguments against prominent intellectuals of his time, including atheist Joseph McCabe, George Bernard Shaw, Friedrich Nietzsche, H. G. Wells, and Rudyard Kipling. He covers a wide range of topics, from cosmology to anthropology to soteriology. Chesterton criticizes French nihilism, German humanism, English utilitarianism, and the arrogance of the European intelligentsia. The book is considered central to Chesterton's moral theology, along with his other work, "Orthodoxy." The chapters in "Heretics" include discussions on the importance of orthodoxy, the negative spirit, the influence of Rudyard Kipling, George Bernard Shaw, H. G. Wells, and more. The book is a valuable resource for those interested in Christian apologetics.

Discover a new way to read classics with Quick Read. This Quick Read edition includes both the full text and a summary for each chapter. - Reading time of the complete text: about 4 hours - Reading time of the summarized text: 8 minutes

Discover a new way to read classics with Quick Read. This Quick Read edition includes both the full text and a summary for each chapter. - Reading time of the complete text: about 3 hours - Reading time of the summarized text: 16 minutes

Dans un village de Cornouailles, trois arbres maudits, les Paon-trees, sèment la terreur parmi les paysans. Squire Vane, sceptique et orgueilleux, défie la légende en passant une nuit sous leurs branches. Au matin, il a disparu.

Eugenics and Other Evils : un essai percutant de G.K. Chesterton, où l'auteur dénonce avec brio les dangers de l'eugénisme et les dérives d'un État scientifiquement organisé.

"I am going to hold a pistol to the head of the Modern Man. But I shall not use it to kill him - only to bring him to life." Innocent Smith, an "allegorical practical joker", turns everything upside down with his arrival at Beacon House, a London Boarding establishment. His passion and liveliness brightens up the place immediately, but at the height of the enjoyment, everyone is shocked when Smith tries to murder one of them. But in `Manalive' (1912), Chesterton's perhaps most joyful novel, nothing is as it appears, and the tenants will soon see life a whole new way.

Four Faultless Felons by G. K. Chesterton is a dazzling collection of detective stories that playfully overturn the conventions of crime fiction. In these four tales, Chesterton presents criminals who appear "faultless"-their actions morally justified, logically flawless, or socially sympathetic-yet whose cases reveal deeper paradoxes beneath the surface. The stories feature eccentric investigators, sharp dialogue, and unexpected twists that challenge readers to question assumptions about guilt, innocence, and justice. Rather than focusing solely on legal wrongdoing, Chesterton explores the moral and philosophical dimensions of crime. Each narrative unfolds like an intellectual puzzle, where appearances deceive and motives are rarely simple. With his trademark wit and love of paradox, Chesterton blurs the line between hero and villain. The collection reflects his belief that truth often hides behind irony, and that moral clarity requires imagination as much as reason. The "faultless felons" themselves become symbols of human complexity, illustrating how righteousness and wrongdoing can become strangely intertwined. Blending humor, suspense, and philosophical insight, Four Faultless Felons stands as a distinctive contribution to early twentieth-century detective literature. It offers not only cleverly constructed mysteries but also a meditation on conscience, justice, and the enduring mystery of the human heart.

The Napoleon of Notting Hill by G. K. Chesterton is a brilliant and whimsical political fantasy that blends satire, romance, and philosophical reflection. Set in a futuristic London where politics has become little more than a hollow formality, the novel imagines a society governed by routine and indifference-until imagination unexpectedly disrupts complacency. The story begins when Auberon Quin, a mischievous and eccentric king, appoints Adam Wayne as Provost of Notting Hill. What begins as a joke-reviving medieval pageantry, heraldry, and local patriotism-soon turns serious as Wayne passionately embraces the identity and honor of his district. His devotion transforms symbolic play into genuine political conviction, igniting conflict among the boroughs of London. Through humor and exaggerated situations, Chesterton explores themes of patriotism, loyalty, and the power of belief. The novel questions whether modern society has lost its sense of wonder and whether even the smallest community can inspire heroic courage. Beneath its comic surface lies a meditation on the importance of ideals in an age of cynicism. Chesterton's prose is lively, paradoxical, and richly imaginative, combining sharp wit with lyrical passages. His distinctive voice turns political satire into a celebration of imagination and moral seriousness. The Napoleon of Notting Hill remains a charming and thought-provoking work, affirming the value of local identity, romantic heroism, and the transformative force of conviction in an increasingly mechanized world.

The Man Who Knew Too Much is a collection of detective stories by G. K. Chesterton. The book follows the adventures of Horne Fisher, a man who understands the hidden connections between politics, society, and crime. Because of his knowledge of powerful people and secret relationships, Fisher often knows the truth about crimes that others cannot see. Together with his friend Harold March, Fisher encounters mysterious events, political scandals, and unusual crimes. However, knowing the truth does not always mean that justice can be done. Many of the criminals belong to the highest levels of society, which makes it difficult to expose them openly. The stories explore themes of power, corruption, morality, and the limits of justice. Chesterton combines mystery with philosophical reflections about society and human nature, creating detective stories that are both entertaining and thought-provoking.

Here is a special two-in-one book that is both by G.K. Chesterton and about Chesterton. This volume offers an irresistible opportunity to see who this remarkable man really was. Chesterton was one of the most stimulating and well-loved writers of the 20th century. His 100 books, and hundreds of essays and columns on a great variety of themes have made G.K. Chesterton the most widely quoted writers of modern times. Here is Chesterton in his own words, in a book he preferred not to write, but did so near the end of his life after much insistence by friends and admirers. Critic Sydney Dark wrote after Chesterton died that "perhaps the happiest thing that happened in Gilbert Chesterton's extraordinarily happy life was that his autobiography was finished a few weeks before his death. It is a stimulating, exciting, tremendously interesting book."

First published in 1929, public domain. A collection of eight short stories featuring Gabriel Gale, an eccentric poet and portrait-painter. Gale's madness is the madness of insight and he uses this gift to solve or prevent crimes committed by madmen.

An invisible killer, a family curse, a voodoo cult, a murdered prince, and a stolen salad dressing. Strange events call for a detective like no other, and Father Brown has a tendency to see to the heart of things. G. K. Chesterton's famous priest-detective shines in this crime anthology, packed with mystery and paradox. From `The Absence of Mr. Glass' to `The Head of Caesar', Father Brown and his thief-turned-detective sidekick, Flambeau, return for a series of adventures that range from philosophical quibbles to the most fundamental matters of morality. This collection of crime short stories will tickle fans of Sherlock Holmes and Dirk Gently alike with satirical wit and enticingly clever cases. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shaw, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

Sous le crépuscule des faubourgs de l'est londonien, deux poètes se disputent sur la nature de leur art. Lucien Gregory est anarchiste ; Gabriel Syme est amoureux de l'ordre. Afin de prouver le sérieux de ses convictions, Grégory invite Syme dans les souterrains d'un bar malfamé pour assister à l'élection d'une société secrète anarchiste. Elle comporte sept membres. Chacun porte le nom d'un jour de la semaine. Gregory s'apprête à devenir Jeudi. Mais alors que l'élection est sur le point de commencer, Syme, qui n'est autre qu'un détective secret pour Scotland Yard, prépare ce pourquoi il travaille depuis des années : infiltrer l'organisation et livrer à la justice les architectes du chaos. Il deviendra Jeudi à la place de Gregory. Ce thriller métaphysique est une oeuvre charnière du XXe siècle, de la trempe de Jorge Luis Borges, de Lewis Carroll et de Kafka. Plus qu'un roman policier, il s'agit d'un roman d'aventures où la philosophie rencontre la religion. G. K. Chesterton (1874-1936) est un écrivain anglais prolifique dans tous les domaines. Il est surtout connu pour ses oeuvres d'apologétique chrétienne tels que « Orthodoxie » ou bien « L'Homme éternel » qui parvinrent à convertir l'écrivain C. S. Lewis, l'auteur du « Monde de Narnia », au christianisme. Chesterton se convertit lui-même au catholicisme en 1922. Il est l'auteur de romans policiers et thrillers tels que « Le père Brown » ou « Le Nommé Jeudi ». Jorge Luis Borges le revendique comme l'un de ses principaux maîtres.

Au collège des Enfants Spéciaux, Emma est loin de la vie normale dont elle rêve. Déjà traquée dans ses songes, la jeune fille est suivie par un fantôme qu'elle seule peut percevoir. En danger, il l'appelle à l'aide, mais Emma ne parvient pas à communiquer avec lui. Protégée par le mystérieux Hell, elle va devoir se confronter au monde obscur, celui des médiums et des esprits errants...

Au collège des Enfants Spéciaux, Emma est loin de la vie normale dont elle rêve. Déjà traquée dans ses songes, la jeune fille est suivie par un fantôme qu'elle seule peut percevoir. En danger, il l'appelle à l'aide, mais Emma ne parvient pas à communiquer avec lui. Protégée par le mystérieux Hell, elle va devoir se confronter au monde obscur, celui des médiums et des esprits errants...

Saint François d'Assise, de G. K. Chesterton, est une biographie originale et profondément spirituelle du « petit pauvre d'Assise ». Avec son talent habituel pour le paradoxe et les formules percutantes, Chesterton montre comment François, renonçant à la richesse et aux ambitions du monde, découvre une liberté et une joie nouvelles dans l'imitation du Christ. Amour des pauvres, pauvreté volontaire, fraternité, émerveillement devant la création, paix et joie évangélique : l'auteur fait apparaître l'unité profonde de tous ces aspects dans la vie du saint. Bien plus qu'une simple biographie historique, ce livre constitue une véritable méditation sur la beauté, la radicalité et la joie du christianisme.

In "Fancies Versus Fads," G. K. Chesterton, the renowned wit and philosopher, embarks on a thought-provoking exploration of the fleeting nature of fads and the enduring power of fancies. With his characteristic brilliance and incisive prose, Chesterton dissects the superficiality of popular trends, contrasting them with the timeless truths and enduring values that shape human existence. Through a series of witty observations and insightful reflections, Chesterton invites readers to question the ephemeral nature of modern life and embrace the enduring wisdom that transcends the whims of fashion.

In the quaint village of Much Deeping, a shocking murder shatters the tranquility. Father Brown, the unassuming priest with a keen eye for human nature, is drawn into the investigation. As he delves into the lives of the suspects, he uncovers a web of secrets, hidden motives, and long-held grudges. With his signature blend of wit and wisdom, Father Brown navigates the complexities of the case, seeking not only to identify the killer but also to understand the darkness that lurks within the human heart.

In "The Uses of Diversity," G. K. Chesterton, the renowned English writer and philosopher, delves into the multifaceted nature of diversity. With his characteristic wit and incisive prose, Chesterton explores the paradoxical beauty of difference, arguing that it is not a threat to unity but rather a source of strength and vitality. Through a series of thought-provoking essays, Chesterton challenges conventional notions of conformity and celebrates the richness that comes from embracing the unique perspectives and experiences of others.

This collection of biographical essays by G. K. Chesterton gives a one-of-a-kind insight into some of the most influential figures of the 20th century. Chesterton lends his prolific wit to these extremely unique and personal biographies, capturing a perfect snapshot of British society in the 1900s. `Twelve Types' covers the life and works of Charlotte Bronte, Alexander Pope, Lord Byron, Robert Louis Stevenson, William Morris, Saint Francis, Edmond Rostand, Charles II, Thomas Carlyle, Savonarola, and Leo Tolstoy. A pastiche of the Victorian society and artists that would birth the Romantic and Gothic movements in English literature, `Twelve Types' is an unmissable collection for any student of 20th century Britain. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

"We must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger." Chesterton's essays on the pitfalls of capitalism, written in the early 1900s, still strike true in the modern-day. One of England's greatest essayists, Chesterton analyses the claims of capitalism without preaching or favouring Marxist and socialist thinkers. Instead, Chesterton's anti-capitalist arguments are drawn from his own Christian ideals and philosophical reasoning, giving a unique perspective that is invaluable for historians and students of philosophy alike. Readers of Rebecca Henderson or Thomas Piketty should not miss this extraordinary glimpse into the ideologies of the past. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

G. K. Chesterton's `The Uses of Diversity' is a collection of essays from the "Prince of Paradox". Written by the English writer and philosopher, Chesterton's essays are full of exciting points, intelligent jokes, and intriguing insights, and beautifully showcase Chesterton's thoughts and beliefs. Some of the essays featured in the collection include: `On Seriousness', `Tennyson', `The Japanese', `Christian Science', `The Evolution of Emma', `Questions of Divorce', `Mormonism', `Dickens Again', `George Wyndham', and `On Monsters'. A superb collection for readers of Chesterton, which covers a wide array of topics on everything from religion and nationalities to poltics and different influential novelists. Known as the `Prince of Paradox,' Gilbert Keith Chesterton (1874 - 1936) was an English author, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi. According to his autobiography, Chesterton and Shaw also played cowboys in a silent movie that was never released.

Most books of literary criticism are written long after their age has passed, but a rare few are written during their time - and G. K. Chesterton's `The Victorian Age in Literature' is one of them. Born during the Victorian era, Chesterton gives an incredible insight into Victorian literature as it was perceived at the end of the 19th century. His witty accounts shine a light on the classic works of Dickens, Austen, and the Brontës, as well as leading poets of the period, from Tennyson to Browning. His discussion ranges from the politics of the day to the birth of radical philosophies and revelations within the sciences. Chesterton's work is a refreshingly personal look into the Victorian mind and an invaluable resource for any student of literary history. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

Step into an English realm of knights, elves, and priestly sermons. `The Wild Knight and Other Poems', by G. K. Chesterton, is a masterful collection of poems that trace themes of morality, fairy tales, and religion. An early work by one of the 20th century's most influential writers, this book of poems comes alive with pagan and Christian imagery intertwined. A profoundly thoughtful work that bears multiple readings and gives an earnest glimpse into the mind of Chesterton. Featuring works such as `Chord of Colour', `The Donkey', and `The Ballad of the Battle of Gibeon', `The Wild Knight and Other Poems' will inspire philosophers and artists alike. A perfect collection for readers of Philip Pullman's `The Good Man Jesus and The Scoundrel Christ' or Simon Armitage's `The Owl and the Nightingale'. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `

From satires of Sherlock Holmes to lectures in defence of fairy tales, this collection of essays brings to life the smallest of trifles and turns them into debates on the meaning of life itself. G. K. Chesterton was one of the most prolific writers of the 20th century and produced a treasure trove of over four thousand essays. Of these, `Tremendous Trifles' selects thirty-nine gems of good advice, fantastical storytelling, and philosophical ponderings to delight the reader. Including `The Dragon's Grandmother', `A Tragedy of Twopence', and `The Shop of Ghosts', this work brings together the best of classic Chesterton that will continue to amuse and outwit readers right up to the modern-day. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

Queens and Emperors, artists and poets, priests and politicians: all are subject to G. K. Chesterton's collected biographies. `Varied Types' spans the streets of London, travels to the edges of the British empire and doubles back into the depths of history. In a series of essays, Chesterton paints the portraits of England's most influential figures, from Walter Scott to Lord Tennyson, and favours each with his authoritative wit. This continuation of the collection `Twelve Types' adds eight spectacular essays, featuring Queen Victoria, Alfred the Great, John Ruskin, Elizabeth Barrett Browning, and many more. A superb collection for readers of Chesterton which dives deep into the history of classic English literature. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

In 1921, the great essayist G. K. Chesterton embarked on a lecture tour of America. Stepping from the boat in New York, Chesterton was still grieving the loss of his brother, yet soon the industry and ideologies of the US would strike inspiration in Chesterton and produce a creative outpouring now assembled into this collection of essays. `What I saw in America' charts the English writer's impressions of American idealism: on democracy and freedom, but also capitalism, prohibition, and slavery. Chesterton captures the essence of 1920s America and sets it against his own English sensibilities, giving readers an extraordinary glimpse into the history of these two sovereign nations. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

In this collection of essays, G. K. Chesterton matches his wits against some of the greatest issues of the 20th century. Imperialism, politics, education, and feminism are put to debate as Chesterton criticises the government of the day, while also speaking to a modern era. A testament to one of the most prolific writers of the 20th century, 'What's Wrong with the World' proves Chesterton as a master essayist whose work bears the scrutiny of historians and philosophers. Essential reading for students of British history, Chesterton bears the soul of the English spirit and puts its politicians to shame. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.

A light-hearted collection of poems featuring G. K. Chesterton's classic wit and cheer, `Wine, Water, and Song' celebrates drink in all its forms, lampooning ideas of prohibition that were on the rise in 20th century London. Chesterton makes a merry satire of local politics and English traditions, with poems including `Wine and Water', where he imagines a wine cellar aboard Noah's Ark, and `The Logical Vegetarian', where he sings the virtues of a liquid diet. For fans of Chesterton and poetry that provokes, this book is a perfect collection of clever rhymes and outspoken English humour. Gilbert Keith Chesterton (1874 - 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories `Father Brown', and his metaphysical thriller `The Man Who Was Thursday'. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.