Matthew Tierney’s The Hayflick Limit opens with an excerpt from Joseph Brodsky’s winter eclogue, which in its 13 words raises at least as many questions: if each body "falls prey" to the telescope, is distance the hunter? Is proximity? Discovery? Is being preyed upon a relief from the indifference of time, death an acknowledgment of existence?
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The Hayflick Limit
Et si notre existence était limitée par nos propres cellules ? The Hayflick Limit explore, en poésie, la frontière entre l’infini cosmique et l’infiniment petit, interrogeant notre place d’humains coincés entre science et absurdité.
To be human is to cope with knowing. In the early sixties, Leonard Hayflick determined that healthy cells can divide only a finite number of times. Known as the Hayflick Limit, the law sets an unsurpassable lifespan for our species at just over 120 years.
The Hayflick Limit concerns itself with boundaries of the cosmic and sub-atomic - how the mind contains both - and the sadsack creatures in the nexus, human beings. What does it mean to be an intelligent species? What does it mean to be an intelligent person?
Shifting focus between the limits of the telescope and the limits of the microscope, the poems in Matthew Tierney's second collection place a premium on inventiveness while embracing extremes of fear, pain, cognition and time. With demotic verve and a humming line, he gives voice to a range of characters who scrape out meaning in a carnivalesque universe that has birthed black holes and Warner Bros. cartoons, murky market economies, murkier quantum laws, Vincent Price, Molotov cocktails, seedless grapes, Area 51 and competing Theories of Everything.
`The most thoroughly engaged and inventive book of poetry I have read in a long, long time. Brimming with hi-lo wit, keenly apprised and settled with cultured repose, Matthew Tierney takes The HayflickLimit to the hoop.' - David McGimpsey
`Matthew Tierney writes poems like a mad boy scientist. His lines manage to blur the border between nomenclature and everyday insight ... Call it science fiction for the melancholic.'
- Eye Weekly
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Matthew Tierney est un poète canadien contemporain, reconnu pour son approche inventive et érudite de la poésie. Auteur de plusieurs recueils, dont The Hayflick Limit (finaliste du Trillium Book Award for Poetry en 2010), il explore les intersections entre science, philosophie et culture populaire. Son écriture, à la fois drôle et profonde, interroge les limites de la connaissance et de l’existence humaine. Il vit à Toronto, où il continue de publier des œuvres saluées pour leur originalité.
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Tierney accomplishes certain Albert Goldbarthian feats, weaving whiz-bang with philosophical insights that will break your heart. The Hayflick Limit features several phobia-poems: 'Aulophobia' (fear of flutes), 'Geliophobia' (fear of laughter), 'Lutraphobia' (fear of otters).
The most thoroughly engaged and inventive book of poetry I have read in a long, long time. Brimming with hi-lo wit, keenly apprised and settled with cultured repose, Matthew Tierney takes The Hayflick Limit to the hoop.
Matthew Tierney writes poems like a mad boy scientist. His lines manage to blur the border between nomenclature and everyday insight... Call it science fiction for the melancholic.
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