Une nouvelle noire où la mort rôde et le remords consume. André Marois, maître du suspense et de l'ironie grinçante, explore les recoins sombres de l’âme humaine dans ce récit percutant extrait de Du cyan plein les mains.

Heidi Brennan can taste a fault in an olive oil before anyone else in the Vale knows it's there. For twenty years she's stood at the blending bench of the Ellery mill and turned a hard hillside's fruit into the one fine thing it was capable of becoming. What she can't taste, until it's poured out in front of her on an October morning, are the two ruins in her own marriage — the debt her husband buried, and the woman he told about it. Tom Ellery didn't have a cold marriage. He had a good one, and he still hid the failing books from his own wife for years while handing the truth — the fear, the shame, the whole real weight of it — to a buyer named Josephine. He gave the honesty to the stranger and the performance to Heidi. When it all comes out at once — the foreclosure notices and the affair, side by side on his desk — he doesn't get to explain. There is nothing to explain. He was a coward about money and dressed it up as everything else. Heidi doesn't beg and she doesn't burn it down. She's a maker; she takes the one thing that was always hers — her palate, her blends, her name — and builds the mill into something that can survive without him, until she's the one standing at the front of the room instead of the one clapped for from the back. Tom spends a year proving change in the only language he has left that he can't fake: unpaid, uncredited work, the debts disclosed one hard conversation at a time, and finally a sacrifice that costs him everything and asks her for nothing — a thing he means to keep secret, and that she uncovers herself. The other woman is never the villain here. Josephine was lied to with half-truths too, and she walks away with her own conscience and her own dignity. And when Heidi finally chooses, she chooses from full hands — the sole owner of the mill, standing up, because she wants to and not because she needs to. He Had to Love Her in Ruins is a grown-up second-chance marriage romance about betrayal, financial ruin, and the slow, witnessed, deed-by-deed grovel it actually takes to earn a way back. A real reckoning at the heroine's pace, an other woman written as a human being, a burnt grove that only bears again years later — and a hard-won happily-ever-after for a woman who spent her life making everyone else's ruin into something worth keeping, and finally does it for herself.

Cet ouvrage est une réédition numérique d'un livre paru au XXe siècle, désormais indisponible dans son format d'origine.

Ces souvenirs, je les ai choisis, parmi d'autres, pour qu'ils atteignent l'âme et le coeur de la jeunesse catholique de France. (...) Les observations que j'ai enregistrées ici, si personnelles qu'elles puissent être, se rapportent à des problèmes sociaux essentiels. D'abord à celui de la famille chrétienne, étudié dans la petite bourgeoisie française, il y a cinquante ans. Ensuite, à l'enseignement secondaire libre, à ses méthodes et à ses résultats. Puis, à la vie active des étudiants catholiques autour des facultés, et à l'influence qu'a pu exercer la haute université sur l'évolution des idées philosophiques parmi l'élite. Enfin, à l'action catholique, avant qu'elle ne fût tout entière mise en faisceau par le grand Pape Pie XI.

Season Three comes with serious firepower. The genre of adventure, science fiction, fantasy, horror, romance, melodrama, and the psychological are all present, turning the collection into a kaleidoscope of characters, plot twists, emotions, and revelations. Magicians hurl lightnings at each other, talking rabbits and vanishing cats talk to a little girl, while mad scientists try to create life from dead body parts. One of the most prominent names in this season is the American master of horror H. P. Lovecraft, whose haunting and hallucinatory tale "The Music of Erich Zahn" will echo for a long time in the listener's ears. B. J. Harrison started his Classic Tales Podcast back in 2007, wanting to breathe new life into classic stories. He masterfully plays with a wide array of voices and accents and has since then produced over 500 audiobooks. Now in collaboration with SAGA Egmont, his engaging narration of these famous classics is available to readers everywhere. The third season is as miscellaneous in terms of themes and topics as the previous two. Some of the authors are already familiar, though they often appear with surprising new additions. The new names that are worth mentioning are Lewis Carroll, Anton Chekhov, Willa Cather, Harriet Beecher Stowe, H. Rider Haggard, Mr. Warburton, W. H. Hudson, Rev. Dr. David Livingstone, M. R. James, and H. P. Lovecraft. Over 39 hours of literary delight!

Cet ouvrage est une réédition numérique d'un livre paru au XXe siècle, désormais indisponible dans son format d'origine.

Cet ouvrage est une réédition numérique d'un livre paru au XXe siècle, désormais indisponible dans son format d'origine.

Powie´s´c Karola Maya, w której ponownie spotkamy najslynniejszych wojów Dzikiego Zachodu - Winnetou i Old Shatterhanda. Przypadkowe wplatanie sie w klopoty to ostatnia rzecz, której chcieli go´scie na ameryka´nskiej ziemi. Niestety znale´zli sie w samym ´srodku wojny o terytorium dwóch zwa´snionych india´nskich plemion i cho´c ich sytuacja wydaje sie dramatyczna, niekoniecznie musi by´c przegrana, kiedy w poblizu znajduje sie Winnetou i Old Shatterhand. W niniejszej publikacji zachowano oryginalna pisownie.