Un meurtre en plein jour à Toronto, une témoin malchanceuse, et une opportunité à saisir pour tous : mafieux russes, flics ambitieux et entrepreneurs véreux.

Toronto, ville multiculturelle où tout le monde se croise, mais où personne ne se connaît vraiment. Quand un cadavre s’écrase sur une voiture et qu’une jeune femme sous surveillance électronique croise la route d’un mystérieux Ray.

Detectives Price and McKeon are called to the scene - a husband and wife found slumped in their car, parked sideways on a busy downtown on-ramp, a bullet in each of their heads. That's what's in the papers, and that's all the public sees. Toronto the Good, with occasional specks of random badness. But behind that disposable headline, Toronto's shadow city sprawls outwards, a grasping and vicious economy of drugs, guns, sex, and gold bullion. And that shadow city feels just like home for Get - a Detroit boy, project-raised, ex-army, Iraq and Afghanistan, only signed up for the business opportunities, plenty of them over there. Now he's back, and he's been sent up here by his family to sell guns to Toronto's fast-rising biker gangs, maybe even see about a partnership. The man Get needs to talk to is Nugs, leader of the Saints of Hell. Nugs is overseeing unprecedented progress, taking the club national, uniting bikers coast-to-coast (by force if necessary), pushing back against the Italians, and introducing a veneer of respectability. Beards trimmed to goatees, golf shirts instead of leather jackets, and SUVs replacing the bikes. And now the cops can't tell the difference between bikers and bankers. Detectives Price and McKeon? All they can do is watch and grimace and drink, and sweep up the detritus left in crime's wake - dead hookers, cops corrupted and discarded, anyone else too slow and weak to keep up, or too stupid not to get out of the way. This is Toronto's shadow city, and you won't recognize it. "Canada's answer to Elmore Leonard is going places . . ." - Toronto Star

Tom Waits, entre légende et réalité : voici le portrait sans fard d’un artiste culte, à la fois poète maudit, musicien génial et acteur inoubliable.

Derrière les paillettes et les muscles, la catch se révèle parfois absurde, voire caricatural. WrestleCrap plonge dans les pires idées, personnages et scénarios qui ont marqué l’histoire du catch, entre rires et incrédulité.

Behind the scenes, nothing is what it seems. Gord Stewart, 40 years old, single, moved back into his sub­urban childhood home to care for his widowed father. But his father no longer needs care and Gord is stuck in limbo. He's been working in the movie business as a location scout for years, and when there isn't much filming, as a private eye for a security company run by ex-cops, OBC. When a fellow crew member asks him to find her missing uncle, Gord reluctantly takes the job. The police say the uncle walked into some dense woods in Northern Ontario and shot himself, but the man's wife thinks he's still alive. With the help of his movie business and OBC connections, Gord finds a little evidence that the uncle may be alive. Now Gord has two problems: what to do when he finds a man who doesn't want to be found, and admitting that he's getting invested in this job. For the first time in his life, Gord Stewart is going to have to leave the sidelines and get into the game. Even if it might get him killed.

It's spring in Toronto and the Hollywood movie crews are back. This is where art meets commerce full force. Instant communities are created, like summer camps for adults, with the cast and crews working long hours and always under pressure. Over the six weeks of production, the cast and crew lives, loves, hates, wins and loses together on and off the film set. Inspired by the authors' own experiences, Below the Line goes behind the scenes and tells the the stories of on-set romances, ambitions, cynics and even artists. We all know the celebs by first name (even if we don't want to admit it), but who are the other guys -- the Canadians working the crew, the location scouts, caterers, make-up artists, grips, gaffers and armies of assistants? Who are these people who bring the stars their breakfast, park the trucks and paint the set the director's favourite shade? On budget sheets and cost reports they are the "below the line" crew members; these are the names rolling down the screen long after the audience has left the cinema.Co-written by two fellows with a lot of experience in the Toronto film world, Below the Line is a complete film set experience -- including script pages, call sheets, camera reports and invoices to really get the reader down and dirty in the trenches of the industry.