Ce que disent les fleurs
George Sand a toujours accordé aux espaces naturels une place de choix au sein de ses oeuvres. Loin d'être un simple décor, la nature est au contraire la source de méditations philosophiques mais aussi d'utopies politiques et égalitaires. Pour elle, la nature est un « droit ». Elle s'oppose à sa privatisation, jugeant que la forêt ne saurait faire l'objet d'une possession individuelle : les arbres appartiennent au « domaine public ». Car le spectacle d'une nature préservée, selon elle, grandit l'homme, ses idées et ses sentiments. Notre recueil permet d'observer la défense par l'écrivaine, tout au long de sa vie, d'un droit à l'écologie.
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George Sand
Amantine Lucile Aurore Dupin de Francueil (French: [amɑ̃tin lysil oʁɔʁ dypɛ̃]; 1 July 1804 – 8 June 1876), best known by her pen name George Sand (French: [ʒɔʁʒ(ə) sɑ̃d]), was a French novelist, memoirist and journalist. Being more renowned than either Victor Hugo or Honoré de Balzac in Britain in the 1830s and 1840s, Sand is recognised as one of the most notable writers of the European Romantic era. She has more than 50 volumes of various works to her credit, including tales, plays and political texts, alongside her 70 novels.
Like her step great-grandmother, Louise Dupin, whom she admired, George Sand advocated for women's rights and passion, criticized the institution of marriage, and fought against the prejudices of a conservative society. She was considered scandalous because of her turbulent love life, her adoption of masculine clothing, and her masculine pseudonym.
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