Carmen
« Je n'en voyais pas une seule qui valût cette diable de fille-là.» Carmen, Prosper Mérimée, 1847. Écrite en 1845 et publiée en 1847, Carmen, la nouvelle de Prosper Mérimée, raconte l'histoire de l'amour fou d'un Basque déraciné pour une enfant de Bohème, sans patrie ni attaches. Passion des extrêmes : José, brigadier-brigand, et Carmen, actrice aux visages multiples. La nouvelle qui traite du sujet de la liberté, de l'amour obsessif et de la jalousie meurtrière, se déroule dans une Espagne imaginaire, en Andalousie entre Séville et Gibraltar et met principalement en scène les personnages de Carmen et de Don José, dont l'amour passionné pour la belle bohémienne est à sens unique, ce qui a pour résultat le féminicide de Carmen par Don José.
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Prosper Mérimée
Prosper Mérimée (French: ; 28 September 1803 – 23 September 1870) was a French writer in the movement of Romanticism, one of the pioneers of the novella, a short novel or long short story. He was also a noted archaeologist and historian, an important figure in the history of architectural preservation. He is best known for his novella Carmen, which became the basis of Bizet's opera of the same name. He learned Russian, a language for which he had great affection, before translating the work of several notable Russian writers, including Pushkin and Gogol, into French. From 1830 until 1860 he was the inspector of French historical monuments, responsible for the protection of many historic sites, including the medieval citadel of Carcassonne and the restoration of the façade of the cathedral of Notre-Dame de Paris. Along with the writer George Sand, he discovered the series of tapestries called The Lady and the Unicorn, arranging for their preservation. He was instrumental in the creation of Musée national du Moyen Âge in Paris, where the tapestries now are displayed. The official database of French monuments, the Base Mérimée, bears his name.
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