Publication Date
1 December 2013
Publisher
Gallimard
Collection
blanche
Technical Characteristics
Language
Français
Pages
266 Pages
File Size
2.6 MB
ISBN 13
9782072495786
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Voici un étrange objet signé Léon-Paul Fargue et André Beucler, sans que l'on sache si les textes qui le compsoent sont de l'un ou de l'autre, ou encore écrits à quatre mains. Mais le lecteur s'amusera autant que les auteurs en dégustant cette prose acrobatique, truffée de calembours, d'a-peu-près, de contrepèteries, de mots inventés, de métaphores saugrenues. On est tantôt dans le Paris de 1920, tantôt dans celui de 1945. Plus rarement dans un lointain passé, comme ce parcours de l'autobus Villette-Austerlitz, où le bassin de la Villette et la place des Fêtes deviennent des lieux fortement exotiques. Extraordinaire tableau aussi de la première visite d'André Beucler chez Gallimard, rue de Grenelle. Gaston le reçoit. Valentine Tessier est près de lui. Fargue dort ou fait semblant de dormir dans un fauteuil! Il y a tantôt des souvenirs, tantôt de la poésie, tantôt des aphorismes, des pensées insolites, des contes, des nouvelles, des saynètes. On est proche du surréalisme. Puis on est cueilli par une réflexion sur l'esprit français, ou une méditation sur les morts...
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Léon-Paul Fargue
Léon-Paul Fargue (French pronunciation: , 4 March 1876 – 24 November 1947) was a French poet and essayist.
He was born in Paris, France, on rue Coquilliére. As a poet he was noted for his poetry of atmosphere and detail. His work spanned numerous literary movements. Before he reached 19 years of age, Fargue had already published in L'Art littéraire in 1894 and his important poem Tancrède appeared in the magazine Pan in 1895.
As an opponent of the surrealists, he became a member of the Symbolist poetry circle connected with Le Mercure de France. Rilke, Joyce and others declared that Fargue was at the very forefront of modern poetry.
He was also a poet of Paris, and later in his career he published two books about the city, D'après Paris (1931) and Le piéton de Paris (1939). His earliest work is divided between Paris prowlings and intimate scenes of childhood and nature.
He was a great social lion in the literary scene of Paris in the 1920s and 30s. Walter Benjamin (who called Fargue "the greatest living poet in France") met him on a visit to the city in January 1930, and recounted an evening enlivened by charisma, wit, and incomparable storytelling. Fargue related to Benjamin the story of a dinner he held for Proust, his old friend, and James Joyce – the only time the two met.
"Fargue", wrote Leon-Pierre Quint in November 1929, "is one of those people who write as they speak; he constantly utters works that remain unwritten-perhaps from indolence, perhaps from contempt for writing. An endless sequence of unforced flashes of wit and puns-this was the only way he was capable of speaking. He has a childlike love of Paris, with its godforsaken little cafes, its bars, its streets, and its nightlife that never ends. He must be in robust health and have a highly resilient character. During the day he works as an industrialist, and at night he is always on the move. He is constantly seen with elegant women, Americans. He is close to fifty years of age, yet leads the life of a gigolo by night, hypnotizing everyone he meets with the charm of his speech."
Fargue published a book of recollections about his friend, the composer Ravel. He was a member of the Apaches and remained a lifelong friend of Ravel. One of his poems, Rêves, was set to music by Ravel in 1927.
He died in Paris in 1947 and is buried in the Cimetière du Montparnasse. Federico Mompou dedicated No. 12 of his Cançons i Danses to Fargue's memory.
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Publication Date
1 December 2013
Publisher
Gallimard
Collection
blanche
Technical Characteristics
Language
Français
Pages
266 Pages
File Size
2.6 MB
ISBN 13
9782072495786
Format
PDF
Protection
DRM Adobe or LCP
shield_lock
Permissions
- Print No
- Copy/Paste No
- Share Yes, on 6 device(s)
accessibility
Accessibility
No data available
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